Rihanna is best known as a chart-topping pop star with hit songs like “Diamonds,” “Pour it Up” and “Umbrella” or a party gal who loves wearing mesh bodysuits with marijuana leaves to celebrate 420 or the ex girlfriend of professional scumbag Chris Brown or expert tabloid fodder who is always photographed half naked and looking incredibly hot. But in recent years, she’s attempted a foray into film, playing Petty Officer Cora ‘Weps’ Raikes in the critically panned Battleship in 2012 and playing herself in last year’s apocalyptic comedy This is the End with Seth Rogen, James Franco and company.
But now DreamWorks is putting their faith in Rihanna as a lead voice actress. She’ll be starring as Tip in DreamWorks’ upcoming 3D animated film Home. The singer will be the first black lead character in such a movie. Based on the critically acclaimed book The True Meaning of Smekday by Adam Rex, Rihanna will play a headstrong tomboy who helps a group of aliens called Boovs – who have taken over Earth — find a new home. Jim Parsons of The Big Bang Theory plays the main Boov.
Rihanna’s mother will be played by Jennifer Lopez and comedy icon Steve Martin plays Captain Smek, the leader of the Boovs. In addition to voicing Tip, Rihanna will also sing in the film and help produce a concept album featuring songs from the DreamWorks comedy. To get a taste of what you could expect when Home debuts in theaters on Nov. 26, check out this four-minute prequel titled Almost Home.
I’ve added HQ stills from next episode of TBBT. Enjoy in our gallery!!!
Television Works > The Big Bang Theory > Season Seven > Episodic Stills > 7×21 – The Anything Can Happen Recurrence
I’ve added HD screencaptures from last night episode of The Big Bang Theory. Enjoy!!
Television Works > The Big Bang Theory > Season Seven > Screen Captures > 7×20 – The Relationship Diremption
Magazines & Scans > Scans From 2014 > The Hollywood Reporter – April 18, 2014
Jim, with cast of The Normal Heart (Mark Ruffalo, Matt Bomer and Taylor Kitsch), is on the cover of The Hollywood Reporter. Scans will come in soon but for now enjoy the cover and shoots.
Larry Kramer’s searing AIDS play caused a sensation in 1985, and Hollywood, including Streisand, came calling. Now, she opens up about her 10-year entanglement, as Murphy, a hot all-star cast and money from HBO finally make it happen.
This story first appeared in the April 18 issue of The Hollywood Reporter magazine.
Even as Larry Kramer, the lifelong gay activist, worked with producer and directorRyan Murphy on the HBO adaptation of Kramer’s 1985 play The Normal Heart, which premieres May 25, Kramer kept asking the question: Why did it take so long? Why, he lamented, did it take so long to make the play into a film?
For Kramer, now 78, The Normal Heart – set in the early, terrifying days of AIDS when gay men in New York, San Francisco and Los Angeles were dying of mysterious and rare diseases like Kaposi’s sarcoma — was always more than just a play. Its plot told of how Ned Weeks, Kramer’s alter ego, rallied then alienated his fellow gay activists who banded together in the battle against AIDS. It also served as a furious denunciation of the institutions — from The New York Times to the New York mayor’s office to the federal government — that Kramer blamed for initially ignoring the escalating epidemic; it was an urgent call for gay men to fight back to save their lives; and, nearly 30 years before the Supreme Court opened the door to federal recognition of same-sex marriage, it envisioned a world in which two gay men could wed.
But despite the support of high-profile directors and actors — at various times Barbra Streisand,John Schlesinger, Kenneth Branagh and Ralph Fiennes have been attached or interested — for nearly three decades the film adaptation remained in limbo. In part, it fell victim to Hollywood’s timidity about telling gay stories in general and AIDS dramas in particular — and Kramer’s play is a fiercely, explicitly polemical work. “Way back then, it just felt like an incredibly depressing tale that looked as if it would appeal only to a narrow demographic corridor,” says one source familiar with the project’s history. “It was viewed as a major downbeat story that didn’t seem to have any wide appeal.” And, too, Kramer never was the easiest collaborator. In 2012, recounting the years he and Streisand put into trying to make a movie version, Kramer accused her of lacking “the burning passion to make it,” a charge she resoundingly rejects. “It was hard for me to be attacked like that by Larry. I worked for so many years on it without ever taking a penny,” Streisand told THR recently. “I will always believe in Larry’s play and its powerful theme of everyone’s right to love.”
And so the property languished until Murphy, who’d broken ground by injecting gay storylines into his TV series Glee and The New Normal, came along in 2009. After winning Kramer’s trust, he sold the project to HBO with a blue-chip cast, including Mark Ruffalo, Julia Roberts, Matt Bomer, Jim Parsons and Taylor Kitsch. “Larry had his heart broken so many times,” says Murphy, “I promised him I would not stop until it got made.”
The Normal Heart had never been an easysell. “It was a fight for Larry from the very beginning,” remembers Michael Lindsay-Hogg, who directed the original stage production, which bowed at the Public Theater on April 21, 1985. “At first, nobody wanted to produce it. People were frightened, worried that it would hurt their careers.”
Back then, mystery and misinformation surrounded the disease. While the play was still in rehearsals, the director recalls, he attended a party where he was introduced to a man who asked what he was working on. After shaking hands, Lindsay-Hogg explained he was directing a new play about AIDS. The man took a step backward, rubbing his hand against his pants leg. “There was a great deal of ignorance, a great deal of fear,” Lindsay-Hogg says.
At first wary straight theatergoers stayed away. The play appeared so early in the epidemic, when a scared public could dismiss AIDS as a “gay disease,” it almost was a work of reportage. But almost immediately, he found an enthusiastic supporter in Streisand, who was eager to direct a film version in which she’d play the key supporting role of the polio-stricken doctor who becomes one of Ned’s few straight allies. “It’s a fabulous, fabulous play and I thought it could make a great movie,” says Streisand, who optioned the rights by 1986. “It was so ahead of its time in terms of understanding gay marriage. I wanted it out in 1987. Everyone who goes into that play comes out understanding why you want to get married to someone.”
Even today, she can recount the opening sequence she imagined for her version, introducing the characters as they go about their lives in New York, not revealing each of the men is gay until they meet in a doctor’s office. To underline the politics of the time, she intended to show in the background TVs playing images of President Ronald Reagan – who infamously did not utter the word “AIDS” until September 1985, four years into the epidemic.
Streisand and Kramer quickly fell into arguments over the direction of the script. She insisted it needed to be opened up to make it more cinematic. They fought over other things like how quickly Ned and Felix, the New York Times reporter whom Ned comes to love, should fall into bed. Years dragged on as they worked their way through various drafts until Streisand decided to bring in another writer,Ramsey Fadiman, who’d written for the TV series thirtysomething.
By the mid-’90s, Streisand, who had a deal at Columbia, felt the script almost was ready. While she originally had thought Dustin Hoffman should play Ned, she talked to Kenneth Branagh about the role, with Ralph Fiennes playing Felix. But a green light proved elusive, and Streisand went on to direct and star in The Mirror Has Two Faces.
Check on www.hollywoodreporter.com for the whole article spread.